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Posts: 2533
04/03/12 12:22 PM
Justin cast as "Drake" in the Stephen King & John Mellencamp musical,
"Ghost Brothers of Darkland County"
For tickets phone (404) 733-5000 or visit For tix: alliancetheatre.org/ghostbrothers.
"I'm thrilled to be playing the role of Joseph," commented Justin. "Being able to do it in front of 11,000 people every night, outside and under the stars, is truly magical. I'm honored to be part of the history and tradition of The Muny."
04/03/12 12:23 PM
04/03/12 12:25 PM
04/03/12 12:29 PM
04/04/12 02:35 PM
By Adam Hetrick04 Apr 2012
Tony Award winner Shuler Hensley, Tony nominee Emily Skinner and Justin Guarini are part of the world-premiere production of Ghost Brothers of Darkland County, the new musical thriller by horror writer Stephen King and Grammy Award-winning musician John Mellencamp, which debuts at Atlanta's Alliance Theatre April 4. Alliance artistic director Susan V. Booth directs.
Performances are scheduled through May 13; opening night is April 11. The musical's blues-tinged score is by Mellencamp. "Carrie," "Misery" and "The Shining" novelist King authored the book. T Bone Burnett is the musical director.
The complete company includes Jeremy Aggers as Ensemble, Peter Albrink as Jack McCandless, Kylie Brown as Anna Wicklow, Lori Beth Edgeman as Ensemble, Kate Ferber as Jenna, Justin Guarini as Drake McCandless, Shuler Hensley as Joe McCandless, Gwen Hughes as Ensemble, Joe Jung as Newt/Ensemble, Lucas Kavner as Frank McCandless, Joe Knezevich as Record Company Man/Ensemble, Jake La Botz as The Shape, Rob Lawhon as Ensemble, Royce Mann as Young Joe, Christopher L. Morgan as Dan Coker, Emily Skinner as Monique McCandless, Travis Smith as Andy McCandless, Dale Watson as Deejay/Zydeco Cowboy/Ensemble and Ryan Wotherspoon as Ensemble.
Here's how the work is billed: "In the tiny town of Lake Belle Reve, Mississippi in 1957, a terrible tragedy took the lives of two brothers and a beautiful young girl. During the next 40 years, the events of that night became the stuff of local legend. But legend is often just another word for lie. Joe McCandless knows what really happened; he saw it all. The question is whether or not he can bring himself to tell the truth in time to save his own troubled sons, and whether the ghosts left behind by an act of violence will help him — or tear the McCandless family apart forever."
The musical was previously announced as part of the Atlanta theatre company's 2008-2009 season, but was postponed. Musical director Burnett was also involved in a three-CD recording of Ghost Brothers. The yet-to-be-released album was reportedly produced like a radio play, with a full book of text, as well as two CDs that include all dialogue and songs and a third CD with only the music.
For tickets phone (404) 733-5000 or visit AllianceTheatre.
http://www.playbill.com/news/article/161404-Ghost-Brothers-of-Darkland-County-Musical-with-Shuler-Hensley-Emily-Skinner-Justin-Guarini-Begins-April-4
04/04/12 02:38 PM
Posts: 3572
04/04/12 02:53 PM
I need a life
04/04/12 03:18 PM
04/05/12 01:28 PM
April 4, 2012 | by Joseph Brownell
They say save the best for last and as the 2011-2012 Alliance Theatre season comes to an end, the buzz surrounding the hotly anticipated Ghost Brothers of Darkland County, may prove to ring true again. Ghost Brothers has been in the works for over a decade and is a labor of love from horror mastermind Stephen King and music legend John Mellencamp. The production features direction by Alliance Artistic Director Susan v. Booth and musical direction from the legendary T Bone Burnett. Described as a “riveting Southern gothic musical fraught with mystery, tragedy, and ghosts of the past, along with a roots and blues-tinged score,” the excitement leading up to the world premiere is palpable throughout the Atlanta theater community.
In the tiny town of Lake Belle Reve, Mississippi in 1967, a terrible tragedy took the lives of two brothers and a beautiful young girl. During the next forty years, the events of that night became the stuff of local legend. But legend is often just another word for lie. Joe McCandless knows what really happened; he saw it all. The question is whether or not he can bring himself to tell the truth in time to save his own troubled sons, and whether the ghosts left behind by an act of violence will help him – or tear the McCandless family apart forever.
Photo Courtesy of John Maley
Hometown connections permeate the cast of Ghost Brothers. Tony-award winning (and Atlanta native)stage performer Shuler Hensley leads an all-star cast that also includes Georgia native Justin Guarini, who you may remember as the runner –up from Season 1 of American Idol. David magazine caught up with Shuler and Justin to ask them about the excitement surrounding Ghost Brothers and how it feels to be home.
Welcome home! Even though you’re a Marietta native, you’ve never really performed at great length in Atlanta. How does it feel to be home?
Being home feels like I have come full circle in my career and I can now be a part of my “home town” artistic community! To be able to participate in the development of an original theatrical piece like this is so rewarding
Among your stage roles you’ve performed in Young Frankenstein as well as playing the Phantom from Phantom of the Opera. Each of these characters have been played by others (whether film or stage). Since this is the world premiere of Ghost Brothers, has working on this production been a different experience? If so, how?
There is always an excitement when you help to create an original character. To truly bring it to “life” for the first time, is both inspiring and intimidating in a good way!! It’s a collaborative effort that I have enjoyed immensely!
Is it weird to think that others will look to you if this production goes on for years and years as the actor who originated the role?
My goal as a performer is simple: Be truthful and real. If that is conveyed in the character, than I have succeeded. It goes above and beyond just originating the role
You play Can you tell our readers about your character Joe?
Joe is the character that has kept a secret for 40 years. He witnessed a tragic event and must somehow try to tell the truth about what happened so that it is not repeated. What happens to a person and a family when the truth is kept a secret?
What has been the biggest challenge of Ghost Brothers?
The biggest challenge has also been the biggest thrill!! To work with all these legends from different art forms and to come together to create a musical that is a unique story. Stephen and John are above all things, Great storytellers!!! And that is at the heart of the whole piece.
You’re a Georgia native (born in Columbus) but moved away when you were young. Before Ghost Brothers had you spent much time in Georgia/Atlanta?
I’ve spent every Summer here from the ages of 5 to 18. My Dad (Eldrin Bell) would drag me all over Georgia and the world (via Hartsfield-Jackson).
I’m sure it’s brought up in every interview but you were the runner-up during the inaugural season of American Idol. How has Idol helped or hurt your career?
How has it not helped, really…
I had spent all my life practicing and learning to be an entertainer by that point…then I was able to show my wares (so to speak!) in front of 30 million people a night. Powerful, and a blessing for sure.
You’ve found success on the stage most recently performing in American Idiot. I would think that this type of success- outside of the sometimes cruel world of recording contracts- would be more fulfilling. Given a choice where would you be? The stage or a recording studio?
I live for the stage. I actually feel more comfortable on a stage entertaining people than I do walking around on the street. Strange, but true. Music will always be my first love though, and being able to perform in musicals has been the best of both worlds.
Tell us a little bit about your character and what attracted you to the role/production?
Drake McCandless is a small-town famous musician with dreams of hitting the big time country scene. Plagued by prior bad decisions and poor timing, he struggles through the story to find some footing in an ever deteriorating personal situation. His dysfunctional family only provides fuel for his internal and destructive fire.
I think that in some ways, I’ve felt his pain, and never really had an outlet to express it (save in a song or two). On stage I really get to play out his and, in turn, some of my own childish frustration and desire to “act out” over my perceived injustices.
Kelly Clarkson was just here recently performing at The Fox Theater. Were you in attendance?
I was actually out of town at the time visiting my family. She’s my girl though!
Besides From Justin to Kelly (insert sarcasm), what has been your most difficult role and why?
This current role has actually proven to be the most challenging, so far. Mainting a slow-burn trending toward blind rage takes careful plotting and pacing throughout the show for me. I love it though, and am happy to be tired at the end of the day.
Ghost Brothers of Darkland County opens at Alliance Theater Wednesday April 4th and run through May 13th. For tickets and more information visit www.alliancetheatre.org
04/06/12 03:35 PM
3:33 pm April 5, 2012, by Melissa Ruggieri
Let’s start by saying this is not a review of “Ghost Brothers of Darkland County.”
That will come next week in the AJC after this initial week of previews, which are open to the public. Official opening night is April 11.
But given the pedigree of the musical talent – composer and lyricist John Mellencamp and musical director T Bone Burnett – attached to the show that debuted at the Alliance Theatre on Wednesday, we felt the songs in the production required and deserved their own deconstruction.
After all, Mellencamp and book writer Stephen King have toiled on this project for more than a decade, so naturally there is curiosity as to how well these 19 songs (and one reprise) frame King’s family ghost tale.
So this isn’t about the story or the set or the acting (though Shuler Hensley is pretty fabulous) or the King-ian plot twists. Just the music.
Well, it’s probably OK to mention that on Wednesday night, King was spotted sitting alone in the last row of the orchestra several minutes before show time and, during intermission, Burnett graciously gabbed with some fans who spotted his towering blond frame (who could miss this guy in a crowded lobby?) and signed an autograph for one zealous middle-aged guy.
But let’s talk tunes.
”Ghost Brothers,” directed by Susan Booth, is a rustic musical. There are no fancy orchestrations or swelling symphonies; simply the type of instruments you’d expect to hear in Mellencamp’s own music – slide guitar, bass, drums, harmonica, accordion – and songs that range from guttural and goofy (“That’s Me”) to a barroom stomper (“Put Me in the Ground”) to melancholy pop balladry (“Away From This World”).
Though the story see-saws from 1967 to 2007, there is no differentiation in musical styles. It’s not as if the 1967 scenes sound like Jefferson Airplane and the latter tunes like Kanye West (although there are nods to Shania Twain and Kurt Cobain in the dialogue). All of the songs are coated with a dusty veneer that works within the drab setting.
Broadway vet Emily Skinner handles two of the best songs in the show – “What’s Going On Here?”, a lament about emotional disconnect, and “On Belle Reve Time,” a Celtic-tinged ballad that mesmerizes with a tick-tock sway.
On the rootsy gospel toe-tapper “How Many Days,” the buttery baritone of Tony winner Hensley soars above the ensemble (watch as they simultaneously arch their backs at the word “many” in the chorus) and during the wrenching “What Kind of Man Am I,” Hensley intones, “Every word I say comes back to haunt me every day…the coward I’ve become, the loser in the game.”
Justin Guarini, another Broadway pro, gets in several muscular vocal turns, particularly with Lucas Kavner, his onstage sibling, during “Brotherly Love,” which features some tasty slide guitar and taunting lyrics that name drop Cain and Abel.
The show stopper of “Ghost Brothers” comes at the end of Act 1, a musically and vocally layered slow burner called “Tear This Cabin Down.” A harmonica squawks, a bass line creeps and the ensemble stomps and waves their arms in “Thriller”-like moves in the rousing song led by Christopher Morgan.
You’ll likely still be thinking of these songs hours later, not for their catchy choruses or glib lyrics, but for their truth.
Donna Stott
April 5th, 20125:16 pm
Was there last night and it was FANTASTIC. I like both Steven King and John Mellencamp but am not members of fan clubs or anything like that… Went because my niece was coming up from Florida to see this with her husband, so we joined them. SO glad we did! I think this will be a huge hit and we get to say we were there at the very first public performance! John Mellencamp was also there… my husband bumped into him at the elevator and we saw him again the back row of Center Right section after the intermission. Very cool. I love ATL….
04/06/12 03:37 PM
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04/10/12 12:33 PM
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04/12/12 01:55 PM
04/13/12 04:24 PM
The By Side By Side By Side By Side By Stephen Sondheim concert will be released as a two disc set and features such performers as Betty Garrett, Ann Hampton Callaway, Len Cariou, Sally Ann Howes, Felicity Huffman, Michael Nouri, Charlotte Rae, Alice Ripley, and KT Sullivan.
Among the selections on the two-disc The Perfect Year recording, celebrating Webber's musical are Tyne Daly's "If This Is What We're Fighting For," Ken Page's "The Addressing of Cats," Carole Cook's "On the Balcony of the Casa Rosada," Valerie Perri's "As If We Never Said Goodbye," Lee Lessack's "Other Pleasures," and Sean McDermott's "Gethsemane (I Only Want to Say)."
The Blame It on Bacharach concert will be released on a single disc and includes "Alfie," performed by Valerie Pettiford; "What the World Needs Now," performed by Marilyn Maye, "The Look of Love," performed by Justin Guarini; "A House Is Not a House," performed by Donna McKechnie; and "Anyone Who Had a Heart," performed by Melissa Manchester, among others.
Click here to pre-order the STAGE concert discs.
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