Yuku free message boards

KellyClarksonSucks wrote:

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100% TRUE!!! I said something nasty on YouTube about that fat old nutty overhyped spinster Boyle. The next day, I found a very nasty comment waiting for me in my YouTube inbox defending Susan and saying terrible things about me. Clicked on the poster's name and read her detailed profile. Guess what? Lesbian! Lesbians just love Susan Boyle! Why not, she's probably one of them! And of course, surprise surprise, Greeny just loves Susan.

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so now Simon and the rest of the world are lesbians for liking Susan Boyle.

You truly are a homophobe aren't you? you act like being gay is the worst thing in the world and an indication of poor taste or deficient mental abilities

I'm not even gonna address the Kelly's career is over meme cuz it's really played out after almost 3 years.

KellysMomCalledMeFine wrote:

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KellyClarksonSucks wrote:

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KellysMomCalledMeFine wrote:

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Well I know now that I'm not a lesbian... always thought I was... I can't STAND Susan Boyle. I'm so glad I've seen the light finally.

You're still the most sensible Kesbot ever.

Awww. I feel all warm and tingly inside now.

that'll stop once you pull the vibrator out of your ass though ;)

http://newledger.com/2009/06/in-praise-of-kelly-clarkson-democracys-pop-star/

In Praise of Kelly Clarkson: Democracy's Pop Star

by Dan McLaughlin

When American Idol debuted in the summer of 2002, it was not a complete novelty. Star-making talent competitions have existed throughout TV history (remember Star Search?), and in fact Idol was itself spun off from Simon Cowell's short-lived Pop Idol in the UK. But Idol's colossal media footprint and massive voting base give its winners a huge and unprecedented head start in built-in popular endorsement before they've ever released a single song. Reliable vote totals are hard to come by, and viewers can vote multiple times, but compare estimates ranging from 20 million to 100 million votes for final episodes to the 100-120 million votes cast in recent presidential elections; the fact that the comparison can even be contemplated is proof of a popular phenomenon in an age when TV shows and the music business alike are feeling the splintering of the mass shared audiences of the second half of the 20th century.

But even after Idol established itself as a TV phenomenon, the question remained: would artists popularly elected by a television audience match the success of those chosen and cultivated by record company executives, radio programming directors, critics, clubs, concert promoters and other traditional gatekeepers? Would musical democracy provide a continuing pipeline of new talent, or would it just be a TV gimmick, its products treated as a sideshow by the music world?

The answer, seven years into the show's run, is that it can be done. The overall record has been mixed; Idol has produced plenty of flops, and often the winners have gone on to less success than the runners-up, but the show has turned out enough real stars to lend the process some credibility. More than anyone else, the burden of earning that credibility for the show from scratch was carried on the diminutive shoulders of Idol's own would-be George Washington, its first winner, Kelly Clarkson. A look at her success provides some important lessons about turning an initial wave of goodwill into a durable popular fan base.

one of my favorite parts:

With any performer, especially female pop stars, no discussion of popularity is complete without the subject of sex appeal. Your classic Hollywood starlet is supposed to be tall, slim, and busty, with long flowing locks and impeccable fashion. Clarkson, though undeniably pretty, has never had any of those things going for her - she's short and pear-shaped and notoriously poorly dressed, and has filled out since hitting her mid-twenties. Yet her un-Hollywood look hasn't left her bereft of male attention; it's hard to find objective measures of sex appeal, but she's placed repeatedly on the annual sexiest-woman lists put out by "lad mags" like Maxim and FHM, and in 2008, VH1 put her in the top 10 of its list of "sexiest women of the new millennium" (reflecting the breadth of her appeal, she was also tabbed on a similar list compiled by a lesbian publication). In part, that's a reflection of the fact that what makes an attractive woman is not so narrowly defined as Hollywood imagines, but it's also a reflection of Clarkson's soulful voice, joyful self-confidence and rough-and-ready humor.


uh huh that's right!

Read the rest of the article at the link provided. It's long as fuck but well worth the read.

Apparently Joseph Kahn directed Kelly's latest video! OH EM GEE that's exciting! I love the videos he's done for Kelly! BTHE is hands down my favorite video EVER by any artist.

he also directed Walk Away and Never Again!

from his twitter:

Shot vid for Kelly Clarkson today. She cracks me up. Texas girl all the way. She's awesome.