Our AI girl is all grown up!
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CountryGirl12 |
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Tiger-- u totally rock! Thank you for finding those articles.. Wow 7 #1's
Our AI girl is all grown up! |
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CountryGirl12 |
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Tiger-- u totally rock! Thank you for finding those articles.. Wow 7 #1's
Our AI girl is all grown up! |
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CountryGirl12 |
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Tiger-- u totally rock! Thank you for finding those articles.. Wow 7 #1's
Our AI girl is all grown up! |
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CountryGirl12 |
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oopsy!! YUKU went beserk on me!!
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Kunron |
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Wow, a triple post. I think I double posted once because Yuku was slow & I hit the post button twice thinking it missed the first one. BTW, there's a
neat little feature they've recently added or enabled called Delete that can be used on new posts. (..just saying)
ETA: Wow it's gone. I guess only certain threads have it. |
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CountryGirl12 |
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Kunron wrote: Apology accepted. |
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realityshowfantard |
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Tigershere wrote: Carrie looks great in that dress. It looks like it might be pinned up. |
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Tigershere |
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to be 5 foot 3 she sure looks taller
even without her high heels she always has looked taller than that to me |
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Tigershere |
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ILovegreeneyes |
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who are all those people?
I would've been surprised if Carrie cut her hair honestly. It's become kind of her trademark look I think. |
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Tigershere |
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those are the writers/etc of the album.
Carrie Underwood celebrated her seventh consecutive no. 1 hit with a luncheon hosted by ASCAP and BMI last Friday in Nashville. The country cutie toasted co-writers, Luke Laird and Hillary Lindsey, for their work on the latest chart-topper Last Name. Pictured (l to r): Carrie Underwood; row 1: BMI's Shelby Kennedy, ASCAP's Pat Rolfe, co-writer Hillary Lindsey, business manager Kella Stephenson, Oglesby Writer Management's Leann Phelan and 19 Entertainment's Ann Edelblute; row 2: co-writer Luke Laird, BMI's Beth Mason, Hillary Lindsey's father Ricky Lindsey, Universal Music Publishing's Pat Higdon, RCA's Renee Bell, BMI's Jody Williams, engineer Derek Bason, producer Mark Bright and RCA's Skip Bishop; row 3: Oglesby Writer Management's Chris Oglesby, Universal Music Publishing's Kent Earls and ASCAP's Mike Sistad. |
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ILovegreeneyes |
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thanks tiger. I guess you just never realize exactly how many people are behind the scenes on a song.
What are the names of all Carrie's singles and where did they peak on the country single chart? I only ask because I seem to recall one of her songs only got to #2 on the country chart but I can't remember which one it was now. |
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fannypackwearer |
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All of her singles have reached #1 on billboard except for DFTRM which got #1 on R&R before it merged or whatever it did. Many people still consider that a
number 1.
Singles are : JTTW,DFTRM,BHC,Wasted, SS, AAG,LN and finally JAD. |
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ILovegreeneyes |
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thanks fanny, it was DFTRM that I was thinking of. I looked it up on Billboard and it shows it peaked at #2. What did R&R merge with?
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Tigershere |
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JAD should be #8 and that video sure has been kept secret until the drop it appears
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Tigershere |
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i read that the new video comes out today but who knows for sure
i mean most web sites don't do a ton of updating on a Sunday but....... |
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ILovegreeneyes |
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Tigershere wrote: # 8 where tiger? The video will most likely show up tomorrow I would think since the song officially goes for adds tomorrow. |
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maadx |
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^ he means 8th #1
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Tigershere |
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Last name is #1 in Australia's version of CMT
CMC I believe it's called Tour might do good down there now where is the JAD video dammit! |
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Tigershere |
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http://www.billboard.com/bbcom/content_display/reviews/singles/e3ic89034626f7645c3cf3c2d1104c417da
The fourth single from Carrie Underwood's double-platinum "Carnival Ride" finds the singer charting new territory. Previous singles have stuck
to a similar lyrical theme, contrasting between Underwood's girl-next-door image with inspirational or family-centered songs ("So Small,"
"All-American Girl") and her naughtier bad-girl side ("Before He Cheats," "Last Night"). "Just a Dream" delivers the
heartbreaking, storytelling side of Nashville with the kind of song usually reserved for vets like Reba McEntire or Martina McBride. Underwood convincingly
sells the story of a young widow of a soldier killed in combat, using shades of her emotive vocal to convey anger and despair. While the subject matter is
sensitive in this day and time-particularly for flag-waving country pundits-it is rooted in reality. Add Underwood's adoration by the format's
listeners and there is bound to be an immediate and receptive response to this beautifully executed song.-Chris Williams
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